Jani Ruscica
  • Jani Ruscica
  • Works
    • About Us (refrain to refrain)
    • * Fate a modo vostro o com’é scritto nelle stelle
    • A Pleated Plateau - the Sound of Dissent
    • Felt the Moonlight on My Feet
    • I for Iridescence
    • WOW
    • No dot on the I
    • The Inked, and their Incandescent Irreverence
    • The Occult Amorphous / Twist and Shout
    • Untitled (The Revered Vernacular)
    • An Effigy of the Exuberant Kind
    • Walnoot
    • Tarwe
    • Human Flesh
    • P for Platinum
    • R for Rust
    • A for Alabaster
    • Fold in and Fall Flat
    • Flatlands
    • Felt the Moonlight on My Feet
    • M for Mauve
    • Conversation in Pieces
    • Conversation in Pieces (opening act)
    • Ring Tone (en plein air)
    • The Keel Row (for solo lyre)
    • S for Sepia
    • T for Terracotta
    • U for Ultramarine
    • Fog Horn
    • Mt. Rushmore
    • 10 Minute Display...
    • Sing Me a Song
    • Material Studies
    • Screen Test for a Living Sculpture
    • Scene Shifts, in Six Movements
    • Sounding Back
    • Anyplacewhatever
    • Travelogue
    • Beginning an Ending
    • Scenography (After the Futurists)
    • Evolutions
    • Batbox/Beatbox
    • Variations on a Theme
  • Bio
  • Publications
    • Felt the Moonlight on My Feet
    • Appendix
    • Anecdotal
    • File Note #49
  • Texts
  • Contact
x
WOW

2022
sticker on window
size variable

Potentially familiar, yet only provisional symbols, find their way into the exhibition sites windows; growing, stretching, twisting and gesturing towards the very limits of their recognisability.

The signs change their appearance performatively, lingering in conditions where previously agreed upon guidelines for reading can be identified, but where compliance with them is challenging if not fully impossible.

The natural light filtering through the windows projects the images into the space; fluid ones, that keep shifting and changing, depending on the time of day and intensity of the light.

x
WOW

2022
sticker on window
size variable

Potentially familiar, yet only provisional symbols, find their way into the exhibition sites windows; growing, stretching, twisting and gesturing towards the very limits of their recognisability.

The signs change their appearance performatively, lingering in conditions where previously agreed upon guidelines for reading can be identified, but where compliance with them is challenging if not fully impossible.

The natural light filtering through the windows projects the images into the space; fluid ones, that keep shifting and changing, depending on the time of day and intensity of the light.

© 2023  Jani Ruscica

Site by : Jahan Sarwar