photos: Jhoeko, 1646 den Hague
sticker on window
Potentially familiar, yet only provisional symbols, find their way into the exhibition sites windows; growing, stretching, twisting and contorting towards the very limits of their recognisability.
The appropriated linguistic signs; anthropomorphic, zoomorphic and biomorphic in their corporeality, alter their form performatively. Lingering in conditions where previously agreed upon guidelines for reading can be identified, but where compliance with them is challenging if not fully impossible.
The natural light filtering through the windows intervenes projecting the images into the space; making them even more fluid, shifting and changing, depending on the time of day and intensity of the light.