Jani Ruscica
  • Jani Ruscica
  • Works
    • Portrait of a Poet
    • Autoritratti
    • Polynoknot (and they bloom)
    • Not-knot (to stain, to leak, to spill etc.)
    • Snails' ways and milky shells
    • The Inked and their incandescent Irreverence (No. 13-16)
    • Not-knot
    • The Inked and their Incandescent Irreverence (No. 8-12)
    • About Us (refrain to refrain)
    • * Fate a modo vostro o com’é scritto nelle stelle
    • A Pleated Plateau - the Sound of Dissent
    • Felt the Moonlight on My Feet
    • I for Iridescence
    • WOW
    • No dot on the I
    • The Inked, and their Incandescent Irreverence (No. 1-7)
    • The Occult Amorphous / Twist and Shout
    • Untitled (The Revered Vernacular)
    • An Effigy of the Exuberant Kind
    • Walnoot
    • Tarwe
    • Human Flesh
    • P for Platinum
    • R for Rust
    • A for Alabaster
    • Fold in and Fall Flat
    • Flatlands
    • Felt the Moonlight on My Feet
    • M for Mauve
    • Conversation in Pieces
    • Conversation in Pieces (opening act)
    • Ring Tone (en plein air)
    • The Keel Row (for solo lyre)
    • S for Sepia
    • T for Terracotta
    • U for Ultramarine
    • Fog Horn
    • Mt. Rushmore
    • 10 Minute Display...
    • Sing Me a Song
    • Material Studies
    • Screen Test for a Living Sculpture
    • Scene Shifts, in Six Movements
    • Sounding Back
    • Anyplacewhatever
    • Travelogue
    • Beginning an Ending
    • Scenography (After the Futurists)
    • Evolutions
    • Batbox/Beatbox
    • Variations on a Theme
  • Bio
  • Publications
    • Felt the Moonlight on My Feet
    • Appendix
    • Anecdotal
    • File Note #49
  • Texts
  • Contact
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Batbox/Beatbox

2007
double channel projected installation
5.1 surround sound
16'00" loop

'Batbox/Beatbox' reveals the limitations of human sight both in nature and in a cultural context. The overall piece parallels two somewhat opposed environments: nature depicted through bats' nightly echolocation and the urban metropolis navigated by hip-hop artists. The dialogue between the two video works is realised on a structural, aural and contextual level. Focusing on two different ways to use sound and movement as tools to navigate and identify one's environment. In 'Batbox' sound and movement is portrayed as a biological phenomenon, in 'Beatbox' as a cultural one.Bats evolved capacity to echolocate reveals the limitations of human vision. In the arch of the narrative the way one perceives the subject, both visually and aurally, changes. 'Batbox, take one' has been made with the collaboration of bats bioacoustics researcher Jon Flanders from Bristol University.

The second part of the installation has been created in collaboration with New York beatboxers Kid Lucky and Shockwave and spoken word artist Vocab. 'Beatbox, alternate take' portrays sound and movement as self expressive navigational tools. In the style of the city symphonies the beatboxers have created the entire soundtrack of the film by interpreting and mimicking the sounds of their surroundings. A spotlight shows the urban space as a stage, where in the words of Vocab every street corner has the ability to tell a thousand stories.

x
Batbox/Beatbox

2007
double channel projected installation
5.1 surround sound
16'00" loop

'Batbox/Beatbox' reveals the limitations of human sight both in nature and in a cultural context. The overall piece parallels two somewhat opposed environments: nature depicted through bats' nightly echolocation and the urban metropolis navigated by hip-hop artists. The dialogue between the two video works is realised on a structural, aural and contextual level. Focusing on two different ways to use sound and movement as tools to navigate and identify one's environment. In 'Batbox' sound and movement is portrayed as a biological phenomenon, in 'Beatbox' as a cultural one.Bats evolved capacity to echolocate reveals the limitations of human vision. In the arch of the narrative the way one perceives the subject, both visually and aurally, changes. 'Batbox, take one' has been made with the collaboration of bats bioacoustics researcher Jon Flanders from Bristol University.

The second part of the installation has been created in collaboration with New York beatboxers Kid Lucky and Shockwave and spoken word artist Vocab. 'Beatbox, alternate take' portrays sound and movement as self expressive navigational tools. In the style of the city symphonies the beatboxers have created the entire soundtrack of the film by interpreting and mimicking the sounds of their surroundings. A spotlight shows the urban space as a stage, where in the words of Vocab every street corner has the ability to tell a thousand stories.

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